Giving a Voice to the Voiceless: A Critical Look at Street Photography

Knowing the back roads, the old towns and the highly populated areas like the back of your hand all contributes to potentially obtaining the maximum artistic quality in your images. Of course it takes time to develop such awareness, something that can only come from an insane amount of walk time.

In light of your hard work you may become somewhat of a human encyclopedia, filled with the all the answers to any questions one may have about the street you practice your craft in. But even then, after years of collecting such information, do you really know those beautiful streets as well as you say you do?.

your

2018-8-27 13:00

Источник: thephoblographer.com

Партнеры

Самое свежее

Jamel Shabazz Does Something Most Modern Photographers Don’t

It hit me when being a few feet away from him and hearing his conversations: there will soon be a day that the world loses incredible photographers like Jamel Shabazz. Jamel is part of a breed of photographer that is disappearing -- he's a personable photographer who can speak with people and that puts them before the idea of taking pictures.

Sean Fryxell is The Street Photographer You Need to See

"Action, emotion, mystery, and/or a story," says Sean Fryxell to the Phoblographer in an interview when asked about what he looks for in good street photography. "Street photography is extraordinarily difficult because not all actions and stories translate immediately well into a picture.

The Mental Trick That Makes Your Photography Much Better

Stare at the lead image of this article. If you're looking at the image above and not having your mind make so many different associations, you're probably not very in tune with what's going on. It's almost impossible to not see the irony.

We Used The Nikon Zf With Manual Focus Lenses. Guess What Happened.

If I had a week, I still wouldn't have enough time to elucidate why the Nikon Zf is the company's most perfect camera to date. I could start with how it appeals to your emotional and sensory availability as a photographer and how the tool is an inherent part of it, but that's not what we're here to discuss.