A godsend to APS-C camera owners, speedboosters allow photographers using adapted full frame lenses to regain some of the image lost in the crop factor as well as increase the light gathered by the sensor.
But every lens is different and not every speedbooster will work great with every lens, however there is a way you may be able to adjust this to achieve better performance with your speedbooster. . thephoblographer.com
While it would prefer that filmmakers remember the advantages of RF-mount, speaking exclusively to PetaPixel, Canon is looking on the bright side of Nikon's acquisition of RED Cinema, [Read More]
In addition to unveiling the Pyxis 6K and Ursa Cine 12K cameras, Blackmagic Design also used NAB 2024 to tease an even higher-resolution camera with a large-format image sensor. [Read More]
Expanding on the success of its Night Walker APS-C and Super35 cinema style series launch, Sirui has announced two new T1. 2 S35 cine lenses through Indiegogo: The wide angle T1.
Less than a week after Nikon closed its acquisition of RED, the company tells PetaPixel that it has begun moves to advance its position in cinema and leverage its new partner. [Read More]
Alongside the new Pyxis 6K full-frame cinema camera, Blackmagic Design also unveiled the Blackmagic Ursa Cine 12K camera. Like the Pyxis, the Ursa includes a full-frame image sensor, but it promises wider dynamic range, higher resolution, improved performance, and more features suited for high-end production. [Read More]
Blackmagic Design has announced a full-frame cube-style cinema camera at NAB 2024. The Pyxis 6K camera comes in EF, PL, or L-mount and shares many features with the Blackmagic Cinema Camera 6K the company released last year. [Read More]
Nikon announced on March 7 that it had entered an agreement to purchase RED. Now, Nikon's huge acquisition is officially complete, just in time for Nikon's NAB 2024 appearance. [Read More]