True innovation often skips lenses for APS-C cameras. But Tamron hasn't skimped here at all. Calling on their past, the company recently released the Tamron 17-70mm f2. 8 Di VC RXD lens. It's designed for mirrorless APS-C cameras.
Specifically, it's for Sony E mount. But at the same time, it's probably being wasted there. At under $1,000 you're getting a lens that can do it all for you. And we discussed that in our recent episode of Pro Camera Reviews. . thephoblographer.com
While it would prefer that filmmakers remember the advantages of RF-mount, speaking exclusively to PetaPixel, Canon is looking on the bright side of Nikon's acquisition of RED Cinema, [Read More]
In addition to unveiling the Pyxis 6K and Ursa Cine 12K cameras, Blackmagic Design also used NAB 2024 to tease an even higher-resolution camera with a large-format image sensor. [Read More]
Expanding on the success of its Night Walker APS-C and Super35 cinema style series launch, Sirui has announced two new T1. 2 S35 cine lenses through Indiegogo: The wide angle T1.
Less than a week after Nikon closed its acquisition of RED, the company tells PetaPixel that it has begun moves to advance its position in cinema and leverage its new partner. [Read More]
Alongside the new Pyxis 6K full-frame cinema camera, Blackmagic Design also unveiled the Blackmagic Ursa Cine 12K camera. Like the Pyxis, the Ursa includes a full-frame image sensor, but it promises wider dynamic range, higher resolution, improved performance, and more features suited for high-end production. [Read More]
Blackmagic Design has announced a full-frame cube-style cinema camera at NAB 2024. The Pyxis 6K camera comes in EF, PL, or L-mount and shares many features with the Blackmagic Cinema Camera 6K the company released last year. [Read More]
Nikon announced on March 7 that it had entered an agreement to purchase RED. Now, Nikon's huge acquisition is officially complete, just in time for Nikon's NAB 2024 appearance. [Read More]